For artists, a network isn’t like networking. For Tasai, it’s right there on our front page, under the heading Connection.
What kind of connection? Well, not like LinkedIn. Not networking. It’s face to face and intimate, usually small and relatively quiet. It’s friends and colleagues committed to process over product. At it’s best it’s community.
A group of artists got together to talk about what we value and we went out of our way to specifically say, “Not networking.” But we are a network. It’s just that it’s not a quid-pro-quo network, it doesn’t look like business as usual. It’s a peer-to-peer network built on trust and friendship through collaboration. It’s self-organizing, it has a holistic head, heart & hands view of human beings, it is formed around a purpose that’s larger than any one member of the network. A healthy network looks like having a project planning meeting at your Mom’s place because all the coffee shops were closed and she had Christmas baking handy.
This really happened.
We had a tech meeting for Tasai and SPACE‘s “A (Mostly) Silent Night” event. Yasushi Harada, a local VJ, agreed to collaborate this year. Fifteen minutes before our first working meeting I discovered the coffee shop we were going to was closed. Then I discovered all the coffee shops in the area were closed. Our first meeting with a new collaborator was 15 minutes away and we had no where to meet! I was at my Mom and Dad’s little apartment in Kits, blocks away from the coffee shop that was now petulantly closed. My Mom, joking, but slightly serious, suggested, “You could meet here. I have Christmas baking.”
What was interesting was the hesitation. Could we do that? Would that be weird? Would it be unprofessional? If company A is meeting company B, then a neutral territory coffee shop makes sense. Since when did meeting in cool coffee shops become the only way to meet? We aren’t a company, we’re collaborators. Why wouldn’t we meet in someone’s home?
There is an inherent vulnerability to inviting someone into your home, to hospitality. If I learned anything about hospitality, I learned it from my Mom. Inviting people into your home isn’t about impressing people with hip interior decorating or complicated food. (Lord knows we never had much, so good thing that wasn’t the point.) Hospitality is about being comfortable enough in your own home to make others comfortable.
In the end, Mom was tickled pink. She, at 90, and my Dad close behind, were so happy to be of service. It was the best meeting ever.
A group of artists may feel the need to evolve into an organization in order to legitimize their group. It’s understandable. Funders in particular want stability and predictability. One of the ways a group of artists can demonstrate stability and predictability is to form an organization. There’s a comforting legitimacy that comes with it.
A group of artists, functioning as a network, but thinking they should be an organization, is a group of artists not comfortable in their own home. Living under an organizational should can cause the kinds of pauses, real and metaphorical, I had at my Mom’s place. You second guess yourself, you stop living from the strength of what you are.
Tasai formed a non-profit society called The Tasai Foundation. It seemed like an evolution we should be making. But for a while, having formed an organization clouded the fact that we really still operated as a network. When we let go of the notion that we should be an organization, we could embrace the fact that we are first a living breathing network.
There is a difference between an organizational mindset and a network mindset. An organization operates under conditions of stability and manifesting themes of efficiency, constancy, predictability, stability and control. The network operates under conditions of complexity, i.e. non-linear, emergent, dynamical, uncertain, adaptive and co-evolutionary. It therefore manifests themes of persistence, responsiveness, nimbleness, agility and adaptiveness.
The Tasai Foundation is an organization, but the organization only exists to serve the network, which is exactly upside down to how most collective human agency operates today. For Tasai, realizing we operate as network doesn’t mean having to dissolve the organization. The realization helps put the network and the organization in proper relationship to one another.
If we talk about our non-profit organization, we talk about it this way: The Tasai Foundation is a non-profit organization based in Vancouver BC, whose members are founders and guardians of the Tasai Network, a global network of creatives for the common good.
Many progressive, forward thinking, highly praised organizations are trying to navigate an epic transformation.They are trying to not be dependent on hierarchy, to be self-organizing and peer-to-peer. They are trying to not be inflexible, to be responsive and adaptive. In other words, they are starting from an organization, and trying to get to network.
For networks of artists, it doesn’t seem wise to abandon network for organization and then try to get back to network. It seems wise for networks of artists remain where the rest of the world is trying to get to. It seems wise to employ organizations where they are beneficial and in service of the network, while at the same time understanding ourselves as a network, preserving and evolving those network qualities, which leverages our strengths, which increases the impact we have toward the common good, for our neighbourhoods, cities and the world.