A network of artists doesn’t look like what you might think of when you say networking. For Tasai, it’s right there on our front page, under the heading Connection.
What kind of connection? Well, not like LinkedIn. Not networking. It’s face to face and intimate, usually small and relatively quiet. It’s friends and colleagues committed to process over product. At it’s best it’s community.
A group of artists got together to talk about what we value and we went out of our way to specifically say, “Not networking.” The truth is, Tasai operates as a network. It’s just that it’s not a quid-pro-quo, ego-centric network that most people are familiar with. It’s a purpose driven eco-centric network. It’s a peer-to-peer network built on trust and friendship through collaboration. It’s self-organizing, it has a holistic view of human beings, it is formed around a purpose that’s larger than any one member of the network. In this kind of network project planning meetings can happen at your Mom’s place because all the coffee shops are closed and she has Christmas baking handy.
This really happened.
We had a tech meeting for Tasai and SPACE‘s “A (Mostly) Silent Night” event. Yasushi Harada, a local VJ, agreed to collaborate this year. Fifteen minutes before our first working meeting I discovered the coffee shop we were going to was closed. Then I discovered all the coffee shops in the area were closed. Our first meeting with a new collaborator was 15 minutes away and we had no where to meet! I was at my Mom and Dad’s little apartment in Kits, blocks away from the coffee shop that was now petulantly closed. My Mom, joking, but slightly serious, suggested, “You could meet here. I have Christmas baking.”
What was interesting was the hesitation. Could we do that? Would that be weird? Would it be unprofessional? If company A is meeting company B, then a neutral territory coffee shop makes sense. Since when did meeting in cool coffee shops become the only way to meet? We aren’t a company, we’re collaborators. Why wouldn’t we meet in someone’s home? Isn’t hospitality at the core of what we’re trying to do as artists?
There is an inherent vulnerability to inviting someone into your home, to hospitality. If I learned anything about hospitality, I learned it from my Mom. Inviting people into your home isn’t about impressing people with hip interior decorating or complicated food. Hospitality is about being comfortable enough in your own home to make others comfortable.
In the end, Mom was tickled pink. She, at 90, and my Dad close behind, were so happy to be of service. It was the best meeting ever.
THE NETWORK IS YOUR HOME
A group of artists may feel the need to evolve into an organization in order to legitimize themselves. It’s understandable. Funders in particular want stability and predictability. One of the ways a group of artists can demonstrate stability and predictability is to form an organization. There’s a comforting legitimacy that comes with it.
A group of artists, functioning as a network, but thinking they should be an organization, is a group of artists not comfortable in their own home. Living under an organizational should can cause the kinds of pauses, real and metaphorical, I had at my Mom’s place. You second guess yourself, you stop living from the strength of what you are.
Tasai formed a non-profit society called The Tasai Foundation. It seemed like an evolution we should be making. But for a while, having formed an organization clouded the fact that we really still operated as a network. When we let go of the notion that we should be an organization, we could embrace the fact that we are first a living breathing network.
There is a difference between an organizational mindset and a network mindset. An organization operates under conditions of stability and manifesting themes of efficiency, constancy, predictability, stability and control. Networks operate under conditions of complexity, i.e. non-linear, emergent, dynamical, uncertain, adaptive and co-evolutionary. Networks, therefore, manifest themes of persistence, responsiveness, nimbleness, agility and adaptiveness.
The Tasai Foundation, the organization, serves The Tasai Network, a network of creatives for the common good, who form collaborative community from which they create all kinds of unpredictable things, for the common good.
The Tasai Foundation is an organization, but the organization only exists to serve the network, which is exactly upside down to how most collective human agency operates today. Realizing we operate as network doesn’t mean doing away with the organization. It isn’t an either or zero sum game. The realization helps put the network and the organization in proper relationship to one another.
If we talk about our non-profit organization, we talk about it this way: The Tasai Foundation is a non-profit organization based in Vancouver BC, whose members are founders and guardians of the Tasai Network, a global network of creatives for the common good.
Many progressive, forward thinking, highly praised organizations are trying to navigate an epic transformation.They are trying to not be dependent on hierarchy, to be self-organizing and peer-to-peer. They are trying to not be inflexible, to be responsive and adaptive. In other words, they are starting from an organization mindset, and trying to get to network mindset.
If Tasai is already operating as a network, it doesn’t seem wise to abandon a network mindset for an organization mindset, no matter how legitimizing, because we’d then have to translate everything we do back into a network mindset. It seems wise for networks of artists remain where the rest of the world is trying to get to. To be on the edge, at the forefront, learning, evolving. It seems wise to employ organizations where they are beneficial and in service of the network, while at the same time understanding ourselves as a network, preserving and evolving those network qualities, which leverages our strengths, which increases the impact we have toward the common good, for our neighbourhoods, cities and the world.